Split (2017) Online Movie
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- 2017-01-19
- 116 min.
- Drama, Horror, Thriller
- Universal Pictures, Blumhouse Productions, Blinding Edge Pictures
- James McAvoy, Anya Taylor-Joy, Haley Lu Richardson, Jessica Sula, Betty Buckley, Brad William Henke, Sebastian Arcelus, Neal Huff, Kim Director, Lyne Renee, Maria Breyman, Peter Patrikios, Steven Dennis, Jon Douglas Rainey, Jalina Mercado, Matthew Nadu, Kash Goins, James Robinson Jr., Nakia Dillard, Roy James Wilson, John Jillard Sr., John Mitchell, Andrea Havens, Barbara Edwards, Robert Bizik, Matthew Bowerman, Julie Potter, Kelly Werkheiser, Junnie Lopez, Shawn Gonzalez, Aleksandra Svetlichnaya, Michael J. Kraycik, Michelle Santiago, Corinne Costa, Colin Campbell, Michaela Bockarie, Gary Ayash, Jeff Buckner, Kerry Dutka, Vincent Riviezzo, Izzie Coffey, Ukee Washington, Bruce Willis, M. Night Shyamalan
- Mike Gioulakis, Pepe Pleguezuelos, Charles S. Rowe, M. Night Shyamalan, M. Night Shyamalan, Mark Bienstock, Jason Blum, Ashwin Rajan, Steven Schneider, M. Night Shyamalan, Luke Franco Ciarrocchi, Douglas Aibel, Mara LePere-Schloop, Jesse Rosenthal, Jennifer Engel, Dennis Madigan, Paco Delgado, Kara Morasco, Angeline Zeigler, Phillip Dawe, Matthew Shapiro, John Burton West, Nicole Agostino, Amy Lauritsen, John Rusk, Rita Squitiere, Dave Kellom, Nicole Reed LeFevre, Paul Maiello, Brick Mason, Susannah McCarthy, Michael Feuser, Alex Alcántara, Toño Cubillo, Rodrigo Díaz, Tod A. Maitland, Wyatt Sprague, Aaron Becker, Jerry Yuen, Rachel Ambelang, Kurt Wunder, Anteneh Adamu, Richard Aponte, Tyler Lockard, Ed Mendez, Colton Miller, Jennifer Wessner, Stephen Izzi, Manny Siverio, Thomas Devine, Andy Hensler, Linda Kallerus, Michael Leonard, Ryan 'Sparks' Lynch, Jon Sibert, Diane Dixon, Daniel Rieser, Kyle Rudolph, Pamela Peitzman, Ken McCallum, Sharon Potts, Colleen Kay, Lawrence Zipf, Teresa Binder Westby
- 6.4 Count: 205
- Though Kevin has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher, there remains one still submerged who is set to materialize and dominate all the others. Compelled to abduct three teenage girls led by the willful, observant Casey, Kevin reaches a war for survival among all of those contained within him—as well as everyone around him—as the walls between his compartments shatter apart.
- kidnapping, multiple personality
Review
One of 'The' best films I have seen in some time. James McAvoy is incredible with his portrayal of this complex character. I was on the edge of my seat throughout the entire film and not once did I relax as the story-line was gripping and intense. I have never written a review before but felt compelled to comment due to my intense enjoyment of this film. M. Night Shyamalan is a master of suspense and intrigue and I have enjoyed so many of his films, but this is absolutely the best so far. Both the director and James deserve some recognition for this and it would be a travesty if this was passed by, its an outstanding piece of work.If you haven't seen it, don't miss it.
By now...Everyone knows the twist that pops up at the end of Split so there is no need for me to even talk about it yet again here for this review...
Instead...I wanna talk about the backstory that critics and fans keep saying didn't need to be there...And to be completely honest...It's bugging me quite a bit...
The backstory I'm talking about is that of Casey Cooke played by Anya Taylor-Joy...The story goes into her past for reasons that seem to float right pass the audience...
Question: Why did Casey tell her friend who was about to be dragged into the next room by the kidnapper to "Wet" herself..??
Answer: Because as Casey's backstory reveals...Her Uncle was/is a monster/pedophile and once that is revealed..The audience should have realized that wetting herself was a sad but somewhat useful weapon to use against her Uncle...And sure enough when her friend and fellow captor took Casey's advice...It killed the mood for the kidnapper...
There was only one scene that I wish had been edited differently...And that was the scene when a 5 year old Casey played Izzie Coffey was pointing the shotgun at her Uncle...The fact that the Uncle was able to get the gun away from her should NOT have been used...
If the scene had played up until the point where the audience thinks she is about to shoot him but then jumps back to present time...That would have given Casey's final scene a much more powerful impact...Particularly when the police officer lets Casey know that her Uncle had arrived...
Only then should the audience have realized that Casey hadn't actually pulled the trigger because the Uncle had managed to get it away from her...
For this reason alone...I give this film 9 out of 10 stars...Other than that...Casey's backstory was extremely vital to the entire movie and I really wish people could understand that and see it as clearly as I do...
And That's All There Is Too It...
When three girls are kidnapped by a man (James McAvoy) with 24 different personalities they have work out which of those personalities will help them escape and which of those personalities will will try to stop them. Casey (Anya Taylor-Joy), a teen with a troubled past, seems to be the only one who might just actually be able to understand and communicate with the madman.
With a premise so wild and fascinating it is hard not to be hooked when you go into the theater. Coming out I can't help but call myself disappointed in a film that has as much potential as wasted one, thrown away in a structure that can't keep focus of what it's doing.
Even with that, there is still quite something to be appreciated here. Firstly, it is hard not to be wowed by Shyamalan's mastery in technique. He clearly demonstrates being comfortable in the medium and plays with the audience in several different ways. From the little touches in insert shots to the big, big set-piece shots he always adds something special and uncanny to them. Be it twenty three different toothbrushes or a single closing shot on a lock, his images have something to really sink in and love about them and he is a master in the use of focus to build tension or character conflict.
Then McAvoy as always is in solid acting territory and gives an intense performance, you can see the work he put into this oozing from the screen. The way he switches from a personality to the other is brilliant, you see a change in his face and posture and it makes it incredibly special. Moreover the work he puts in physically pays off, it reads on screen powerfully and makes the difference for the whole film. Surprising is how well Anya Taylor Joy manages to keep up with him delivering an equally functional performance.
Where the film really looses its charm for me is in its script. Unfortunately it is highly unfocused and does not know where to go or what to do with the compelling premise, indicative of this is the final twist which I barely managed to grasp.
There is no order in how the story evolves, we give the main character an extensive backstory in flashbacks and that leads nowhere, there is a mystery with the relationship between Kevin and his psychiatrist and that leads to nothing too, then there is the main conflict in the kidnapping story that leads us nowhere once again, with possibly the worst resolution of all of the above. And then, at the center of this, is the character of McAvoy, who is as fascinating on paper as he is chaotic on screen.
There is no silver lining with this character, there is no pay off, no purpose to his story, he is simply a gimmick. Consider too the fact that of the supposed 23 personalities we only see seven or eight on screen which makes for a hugely underwhelming experience. Moreover, when you consider the fact that of the ones we see there are only a couple that get any development you understand what a bloated journey the view is carried through.
Which is exactly the way I would define the film, a ride that doesn't really have any idea where it is going, but has its moments of inspiration during the trip.
Not scary or suspenseful at all. McAvoy's character was ridiculous and not the least bit frightening. In fact, I laughed through most of his performance. I almost walked out halfway through, but i wanted to give the movie a chance to get better- it didn't; in fact, it went further downhill. To call this movie horror or smart or clever, even in the slightest, is a flat-out insult to the viewer. This movie sucks- waste of time and money. The critic's seem to have viewed a completely different version and praise this movie up and down. Not only not scary, but just not a very we written and developed story line. So much potential was lost here. I'm baffled by the rave reviews of the critics, are they smoking something that might have made this an entirely different movie?
I'm going to start this review by stating that this isn't a particularly original film - there are already quite a few out there which do the same thing, only far better. Only last week I watched 10 Cloverfield Lane, which is broadly similar, yet a far superior movie. The reason 10 Cloverfield works (the final 10-15 minutes aside) is that you always feel John Goodman's character could lose it at any moment. And from time-to-time, he does. That movie really had me on edge and the tension was almost unbearable at times. Unfortunately, 'Split' did not do this well. The runtime and pacing is probably one of the biggest issues, because a movie like this set over 117 minutes really needs to be handled by a master. I don't know much about this director, but he's no Kubrick. And although Kubrick could be self-indulgent (Eyes Wide Shut was a catastrophe), a film like The Shining runs for well over 2 hours, but the suspense and atmosphere carries it all the way. With Split, the film lulls and drags… you really don't believe you're going to see this 'beast' they talk about till the very end, which is a big problem, because you're not on the edge of your seat. Perhaps sharper editing would help and personally I would've cut it down substantially, but that still wouldn't have made it a great movie.
McAvoy gives a decent performance, but I'm not about to overstate it. I saw a film called 'The Love Butcher' the other day and the almost unknown actor in that film also played many characters quite successfully. Lots of actors are capable of this and I'm sure many will cite McAvoy's performance as being a key element of the film, but for me it doesn't save the movie. If you want campy fun of this sort, check out John Lithgow in Brian De Palma's Raising Cain! Other acting in the film is absolutely fine, although you don't get to see two of the girls all that much. This again is another problem, because this sort of film really works best when you can put yourself in the place of the victim(s). It doesn't really dare you to do that, as it moves from place to place, but doesn't focus on their plight.
There's a huge plot hole… something which one of the characters should have said near the end of the movie, but I won't elaborate, as I don't want to spoilt it. It's a glaring plot hole though! To conclude, it really does drag so much and I couldn't wait for it to end. It gets to the point where you know everything there is to know, but it won't stop. We're just treated to more 'performance' from McAvoy, but by this point, you won't care. I could recommend at least a dozen similar films without a second thought which are far better than this, so I honestly wouldn't waste your time. There were a few laughs along the way, but by the end of the film, you certainly won't be laughing. Overall, for me it's a 4/10.
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