Moonlight (2016) Full movie subtitled in Portuguese
- 2016-09-10
- 110 min.
- Drama
- Plan B Entertainment, Upload Films, A24, Pastel
- Trevante Rhodes, André Holland, Janelle Monae, Ashton Sanders, Jharrel Jerome, Naomie Harris, Mahershala Ali, Alex Hibbert, Jaden Piner, Patrick Decile, Edson Jean, Shariff Earp, Duan Sanderson, Rudi Goblen, Herveline Moncion, Fransley Hyppolite, Larry Anderson, Tanisha Cidel, Stephon Bron, Don Seward
- Barry Jenkins, Adele Romanski, Tarell McCraney, Barry Jenkins, Nicholas Britell, James Laxton, Joi McMillon, Nat Sanders, Yesi Ramirez, Hannah Beachler, Mabel Barba, Caroline Eselin Shaefer, Doniella Davy, Jennifer Radzikowski
- 7.9 Count: 117
- The tender, heartbreaking story of a young man’s struggle to find himself, told across three defining chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love, while grappling with his own sexuality.
- gay, drug addiction, coming of age, african american, gay african american, gay youth
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Review
This comes with a lot of hype and awards buzz . There is a danger of instantly dismissing it on the grounds of guilt that came with last year Oscar controversy but on its own terms MOONLIGHT is a relatively well made , subtly acted drama . The downside is that it's probably no more than that You've seen this type of movie before of a child on the brink of adolescence finds himself an outsider in a rough part of society , not too different from John Singleton's 1991 film BOYZ IN THE HOOD . Perhaps somewhat conscious of this director Barry Jenkins shoots the film in a rather poetic way at odds with a gritty realist storyline . This does lead to a problem in that the film becomes somewhat aloof and ultimately uninvolving which is a pity because I wanted to be grabbed by the narrative and the characters contained within it . As it stands MOONLIGHT will probably be the film to pick up 8 Oscar nods butt go home empty handed after the ceremony
Moonlight is a film of great depth, concerning a gay black boy, teen, and man. The plot centers around a character that goes by three different names in three different eras of his life. The three different names are also, coincidentally, the three parts of the film. As a youth, it's obvious Little (played by Alex R. Hibbert) is a little different from other kids. He's bullied by the other kids at school. He likes to take hot baths. His crack head mother calls him a faggot and is far too aware of the way her son walks. Luckily for Little, Juan, a drug dealer, (played by Mahershala Ali) takes him under his wing, protecting him and mentoring him, telling him that "no no, you could be gay, but don't let nobody call you a faggot." Moonlight is a film filled with beautiful cinematography and music. Two great scenes occur in part one of the film. The first scene involves a sport played in the neighborhood played with a ball made out of newspaper. The kids in the neighborhood take this ball and run with it. The game is almost a mixture of soccer and rugby, and highlights the poverty of Little's life. Little first meets Kevin in this scene as well, (played by Jaden Piner in pt 1), a boy that will play an important part in his life throughout the film. There's also a scene where Little's mentor floats him in the ocean and teaches him how to swim. Both scenes are amazingly shot and have classical music playing throughout. These scenes are just a day in the life of Little, a confused boy trying to find himself. Little is still too young to truly know himself in part one, but as he transitions into being a teen in part two he has an experience he will never forget. He has a moment with another teenage boy on the beach, finding out that he is sexually into, at the very least, getting jerked off by Kevin from part 1, (now played by Jharrel Jerome in pt. 2), and feeling how good the Miami breeze can feel. As a teen Little, now known as Black (played by Ashton Sanders), is still bullied. Black still deals with his mother on the regular, but she now exploits him for cash to buy more crack. Black gets beat up and starts to find out he's into different things than most of the straight boys. In part three Black is still Black in part three (now played by Trevante Rhodes), and is getting buff and mean looking. He has some grills in his mouth and a chain around his neck. He now sells drugs in Atlanta, similar to his early mentor Juan from part 1. In part three Black receives a call from Kevin (now played by Andre Holland) inviting him to dinner back in Miami. Kevin visits his mother in rehab and has a moment, and then goes to meet Kevin in Miami. Black and Kevin end up hanging out and having dinner, drinking, and going back to Kevin's place. Black explains to Kevin that he's never been with anybody since the time on the beach so many years ago with Kevin. The film ends with a tender moment of the two more or less cuddling. Moonlight is a film of personal development and personal discovery. Little, Black, Chiron, whatever he is called throughout his years, is a man trying to discover why he's different from others. His issues are only exacerbated by the fact that he's poor and has a crack head mother. He is part of two oppressed groups, gays and black people. Even though he ends the film as a drug dealer, I couldn't help but feel he finally truly understood himself at the end of the film. He is a tough gangster, but he loves Kevin. Moonlight leaves you wondering what ends up happening to Chiron and Kevin, hoping they make it and can just chill and enjoy each other.
This is a very powerful film told in three stages of a man's life. It starts with a young black kid growing up in 1980's Miami with a crack head mother and no father figure. A drug dealer named Juan takes Chirone under his wing and teaches him about being a man. We then see a teenager version he gets bullied at school for being different and gay. Later we see the fully fledged version now distant and looking for acceptance living in Georgia. This film is told in such a unique and quiet way it really sneaks up on you. The man who plays Juan is amazing as a mentor for the kid he is a drug dealer but he really takes care of him and teaches him the lessons of life. I have to mention the score which is beautifully done in orchestra and very moving. This film was based on a play on someone who actually experienced these things. No matter where you come from you can relate to this character. Just to walk in somebody else shoes for a movie of one hour forty five minutes could possibly prove life changing for you in just accepting different races and different people. This film could do really well at the Oscars i hope it does. I couldn't recommend this film highly enough. I give it my highest grade of five stars
One of the most beautiful movies I have ever seen. I felt this movie's themes transcended race, class, gender and sexual orientation. The will to survive all obstacles and the need to love and be loved, to be touched, is a human story told so affectingly here against a sun drenched tropical landscape with an ocean view. The use of water as a metaphor for human growth or the soul, the unbearable isolation of young Chiron who wears his backpack like Atlas bearing the weight of the world, the visual and audio perceptions from the point of view of a child, an adolescent and a young man and the emotional truths so tellingly displayed thru-out this entire film make this one of the most deeply felt films I have seen. I felt like crying afterwards and nobody died.
WOW! Just saw what may be the best film of the year – Barry Jenkin's MOONLIGHT. Delicate, lyrical, and movingly cinematic, it is a visual poem. It takes its time, and feels very "independent." Although the dialogue is terrific, the narrative thrust is completely cinematic, visual. And while character driven, the film poses big, weighty, universal themes like Identity, Sexuality, Masculinity, Family, and Community. (And yes, the initial Caps are intended.) MOONLIGHT is urgent social commentary that feels unbearably personal. It is a masterpiece from that dizzying, disorienting opening shot (with cinematic "look-ma-no-hands" bravado) to that delicately intimate close. The camera work, the musical score, the screenplay, the performances are all top-notch. These are the big stuff. But the small details are so skillfully delivered that they are simply breathtaking: the spiritual baptism of teaching a boy to swim; the loving preparation of a meal; the feel of sand on skin; and the blue-glow of moonlight reflected on black shoulders. Each shot – each one allegorical – beautifully rendered. I LOVED IT.
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